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We could probably just mention that this exhibition (featuring a quintet of assemblage artists) contains work by Steve Brudniak and watch the smarter crowds gather for some deep gawking … but we wouldn't want to diss the talented likes of Barbara Irwin, John Sager, Larry Seaman, and Steve Wiman – whose complex three-dimensional creations are also well worthy of your time.

This new Lance Letscher exhibition celebrates the opening of Austin's new Central Library.

That excellent gallery in Canopy presents a group exhibit featuring work by Texas artists who are inspired by any of the natural sciences as a majority of their current artistic practice. Which, lucky for the viewer, means that the talents represented include Laurie Frick, Jules Buck Jones, Calder Kamin, Cathy Savage, David Martínez, and more. Quant suff! Recommended!

In which Elizabeth McDonald Schwaiger and Seth Orion Schwaiger exploit the original function of the gallery building – a modest bungalow – and create a domestic environment, a painting-filled home, a hypothetical household that reflects our current anxious times. "Human behavioral science, psychological theory, geo-political power structures, scientific and technological experiments, and the history of art and of science are just some of the subjects both artists mine and explore."

The rise of modernism in Mexico was activated by artists, museum curators, gallery owners, journalists, and publishers both in Mexico and the United States. This exhibition explores two decades of dynamic cultural exchange between the two countries, featuring important artists such as Diego Rivera, Frida Kahlo, José Clemente Oroxco, and others.

Putin’s bestselling biographer reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Bonus: Conversation with the Texas Tribune's Evan Smith.

Mexic-Arte celebrates the 110th anniversary of Frida Kahlo’s birth with "A Smile in the Middle of the Way," an exhibition that takes an intimate look at the relationship between Kahlo and Diego Rivera, as seen through the lens of notable photographers of that time, including images by Manuel Álvarez Bravo, Ansel Adams, Guillermo Kahlo, Leo Matiz, Nickolas Muray, Edward Weston, and Guillermo Zamora.

The American artist Hunt Slonem, renowned as one of the greatest contemporary neo-expressionist colorists, presents his latest exhibition.

This is the workshop Hannah Kenah led for Rude Mechs while they were creating their Field Guide. Together, you'll write, you’ll share – and there'll be a mic and a stool. Sign up now for this one-day class that's low-pressure, high-fun, and makes the last Sunday in September worth waking up for.

Bock's Dead + Juicy exhibition centers around a newly commissioned film that was shot in and around Austin, blending classic Westerns and dark comedy with spooky thriller and horror aesthetics. Mutu offers a new, site-specific edition of Throw, 2017, a painting created by the artist throwing black paper pulp against the wall, resulting in an abstract composition that dries, hardens, and then degrades over time.

Eight Austin-based designers discuss their experiences working in Texas as well as their reflections on Type Hike and the importance of doing pro-bono design work for causes they believe in.

UT's immense gem of an exhibition space showcases what's what in the local student arena and the greater realms of the whole damn world of visual arts. Check out Larry Bamburg's BurlsHoovesandShells on a Pedestal of Conglomerates installation, the "Fool’s Romance" collection of artists' books from Mexico City's Aeromoto, Riel Sturchio and Amber Shields' "Body is a Bridge" exhibition, and more, in celebration of this latest VAC renascence. And here's what our reviewer thought of that "Fool's Romance" collection. And what of that "Kind of About Michigan" installation? Here's what Melany Jean had to say.