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The opportunity to witness, in person, the creative expression of different times and diverse cultures is one of the perks of city-dwellers everywhere – and exemplified by the collections and traveling exhibitions hosted by UT’s acclaimed Blanton Museum of Art. The Blanton’s newest show displays masterpieces from Edo-period Japan, on loan from the Worcester Art Museum through June 30. These “pictures of the floating world” depict the lifestyle, pleasures, and interests of the urban population – samurais, geishas, kabuki actors, boat parties, palaces, and lush landscapes. As then, so now: Much of who we are is what we do with our lives. – Wayne Alan Brenner

Gather the picnic blankets and lather on the sunblock: The Long Center and ACL Radio’s free outdoor music series returns to the lawn every Thursday through Aug. 15 (except July 4).

The diverse lineup of hilarious, always surprising improv shows continues, with Pgraph and Maestro and the Big Bash and more, for the most unexpected delights of in-person entertainment.

We Are Blood – who are definitely NOT vampires in disguise – have totally cracked the case on how to make giving blood even more of a good deed. See, for this month only, whenever you take your juicy veins to a WAB donor center or mobile unit, they’ll donate $5 to your choice of one of three partnering nonprofits. That’s right: Donate blood, and you can give Central Texas Food Bank, Austin Humane Society, or TreeFolks a fiver to do with what they please. And usually what they please is helping our Austin community in various positive ways like keeping peeps fed, nurturing puppies and kitties, and growing big beautiful trees whose shade is sorely needed during this cruel summer. – James Scott

Minneapolis-born and -raised, Elizabeth Olds lived to a sturdy 94 but didn’t get the attention she deserved in her lifetime. The Harry Ransom Center’s new exhibit, which opened Feb. 3 and runs through July 14, aims to rectify that with a first-of-its-kind look back at more than 100 of her prints, paintings, drawings, and illustrations from the 1920s to the 1960s. Of particular note: her depictions of social and political change from her time as a Works Progress Administration printmaker. Want to go deeper? Drop in for one of the daily docent tours. – Kimberley Jones