Moving Panoramas’ Baby Blues
Leslie Sisson & Co. return doubly dense
By Kevin Curtin, 12:45PM, Thu. Oct. 25, 2018
If like any self-respecting Austinite you see Moving Panoramas perform 10 times annually, a gradual lineup shift makes it easy to overlook the sonic evolution that’s taken place since the dream rock outfit’s 2015 debut, One.
Non-local listeners, on the other hand, will be blown away by the density of Leslie Sisson and company on long-awaited second strike In Two, arriving Feb. 22 on Modern Outsider. For starters, what once was a trio now configures as a quintet, with an entirely different lineup backing the singer/guitarist. Phil McJunkins’ pedal steel goes a long way in the group’s spacey essence, while vocalist/keyboardist/percussionist Cara Tillman plays no small role in the evolving dynamics showcased on the group’s sophomore effort.
Moving Panoramas’ musical thickening is evidenced in preview single “Baby Blues.” A driving tempo fires beneath Sisson’s typically exquisite guitar tones, rolling into a hook that jumps with Tillman’s backup vocals. The longish track ultimately snowballs into a kingdom-come moment of shoegazey audio overload.
“Baby Blues” streams exclusively right here, before hitting all platforms Friday. Meanwhile, the album is available for preorder. Moving Panoramas play Hotel Vegas on Saturday.
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Moving Panoramas, Leslie Sisson, Phil McJunkins, Cara Tillman, Modern Outsider, Hotel Vegas