Kimberley Jones

Sprawling documentary about the globalization of the wine industry is ambitious but frequently directionless – for true connoisseurs only.

The latest from Wong Kar Wai is slated for a U.S. Sony Classics theatrical release in August, but for those who've wearied of waiting, Netflix, as well as local independent stores, is offering a no-frills DVD of the film

The marriage of two Turks who meet while in a German psychiatric hospital grows from a relationship of convenience into a genuine love affair.

Woody Allen literally imagines a scenario as both a comedy and a tragedy, but we can't understand why half of this movie isn't at least amusing.

This refreshingly femme-centric tale advocates on behalf of physics, feminism, and athleticism.

There are no great animation advance in Robots, but neither is it a return to The Ice Age.

In Good Company is a sincere but serviceable-at-best dramedy from Paul Weitz, one-half of the fraternal team that has already brought us two studies about the human male: American Pie and About a Boy.

Decadence, perhaps inevitably, dates itself: Fellini's much-censored 'La Dolce Vita' no longer shocks in its depiction of upper-class excess and listless living the way it did upon release in 1960, but it's a gorgeous artifact, nonetheless

Thankfully, the dark tone of the beloved childrens books is carried over to the screen, and the terrific performances and production design provide extra lift.

Cross-pollinate the arthouse film with B-movie backwoods gothic, and you get something like Undertow’s peculiar fusion of high and low culture.

An existential comedy, to be sure, but in the end this movie quite happily tips toward being and everythingness.

Actor and author Stephen Fry turns director for this colorful group snapshot of monied revelers in 1930s London.