Amanda Douberley

The eight drawings of baseball pitchers, all in the same balletic contortion, are all about the pleasure of looking

The artist's self-proclaimed graveyard of old art doesn't make for a tight show, but it's an ambitious one

This show demonstrates how two painters working from the same subject can end up with radically different canvases

Looking back at the time when Austin was at the center of the Texas art world

For his exhibit 'Thickly Settled,' artist Jeff Williams has blanketed an array of everyday objects in an electrostatic flocking fiber that looks a lot like dust from an AC window unit

In her exhibition "Freaks of Nurture," Elaine Bradford's crochet-covered menagerie of stuffed animals is equal parts lighthearted nonsense and poignant sadness

When a painting can make you seasick – as the ones in Christopher Schade's Islands series can – you have a work that's worth a look and a look again

The Blanton Museum's ever-shifting WorkSpace offers up-to-the-minute views of what's happening in contemporary art

With his new series of collages, Austin printmaker Ken Hale trades in his flatbed press for a flatbed scanner with intriguing and sometimes luscious results

In both halves of the Marjorie Moore and Jeffrey Dell joint show, "Below the Surface: A Different Order," a sense of loss is communicated, sometimes in terms of artistic technique, sometimes in terms of life