Running Bear
Hyde Park’s new original play perfectly showcases writer Raul Garza
121-150 of 3,204 entries
Bob Abelman, June 20, 2022
Gilbert & Sullivan Austin’s The McAdo
Spry rewrite of the classic operetta swaps kimonos for kilts
Bob Abelman, June 16, 2022
Inside the Seventies Weed Business in Wild Times in Old Austin
Dazed, confused, and profitable
Jay Trachtenberg, June 9, 2022
Romance and Petty Theft in Community Klepto
Author Kelly I. Hitchcock steals your heart away
Jasmine Lane, June 9, 2022
Penfold Theatre Co.'s A War of the Worlds
All’s Wells that ends Welles in this innovative reenvisioning of a radio sci-fi landmark
Wayne Alan Brenner, June 9, 2022
Ronnie Earle, Gangbuster
Jesse Sublett revisits Austin’s criminal past in Last Gangster in Austin
Jay Trachtenberg, June 9, 2022
Undark: A Radioactive Puppet Play
Henson-backed world premiere recounts a workers' rights fight
Bob Abelman, May 31, 2022
Mack & Mabel
Intimate staging bests Broadway’s Hollywood tragedy
Bob Abelman, May 26, 2022
Ground Floor Theatre’s Dot
An authentic albeit imbalanced emotional journey into dementia
Bob Abelman, May 19, 2022
Austin Shakespeare's A Midsummer Night's Dream
Less-than-magical production salvaged by a night of unexpected spontaneity
Bob Abelman, May 12, 2022
Broadway in Austin’s Summer: The Donna Summer Musical
Now is the Summer of our discontent after this flat jukebox
Bob Abelman, May 7, 2022
Zach Theatre's Somebody Loves You, Mr. Hatch
Surprisingly minimalist adaptation of beloved kids book still enchants
Bob Abelman, May 5, 2022
Moontower Review: Deon Cole
Black-ish star delivered the set the audience wanted
Dina Barrish, April 26, 2022
Moontower Review: Marc Maron
The Cassandra of comedy enjoys the silence
Richard Whittaker, April 23, 2022
Moontower Review: New Faces of Comedy
Auditioning comics go wild in six minute slots
Richard Whittaker, April 22, 2022
Moontower Review: Nikki Glaser
Headliner takes down pickup artists as she tests new material
Dina Barrish, April 19, 2022
City Theatre's Who's Afraid of Virginia Woolf?
A perfect measure of schadenfreude on the rocks, with an angst chaser
Bob Abelman, April 18, 2022
The Rocky Horror Show
Cult classic is a welcome jump to the left, step to the right
Bob Abelman, April 18, 2022
The Lion King Roars Strong
The Disney theatrical adaptation is a Bass hit
Richard Whittaker, April 12, 2022
Austin Playhouse’s The Catastrophist
Aptly timed return to the stage for a meditation on science and risk
Ellen Daly, March 31, 2022
TexARTS Theater's Sweeney Todd
Despite fruitless tweaks to the storytelling, this is a tale that still has bite
Bob Abelman, Feb. 24, 2022
Snow in Our Potties! (The Storm Made Us Do It)
New children’s book is a lighthearted memoir of Winter Storm Uri that teaches kids how to help
Katherine McNevins, Feb. 10, 2022
Street Corner Arts' Strange, But Perfect
World premiere is a delightful treatise on the stuff of which friends are made
Bob Abelman, Dec. 30, 2021
Ground Floor Theatre’s Unexpected Joy
Sitcom sheen overwhelms this musical’s stage pleasures
Bob Abelman, Dec. 9, 2021
True Love Cast Out All Evil
New oral history explores the head and mysteries of Austin's psych pioneer
Raoul Hernandez, Dec. 2, 2021
Hyde Park Theatre's My Season With the Astros, Expos, and Phillies
One man’s sports obsession becomes a charming one-act exploration into mediocrity
Bob Abelman, Nov. 18, 2021
Austin Shakespeare’s Bollywood Twelfth Night
The Bard gets a Mumbai makeover
Bob Abelman, Nov. 11, 2021
"The Blessings of the Mystery" Questions the Notion of Preservation and Ownership
A different West Texas at UT's Visual Arts Center
Vivie Behrens, Oct. 28, 2021
Into the Woods is a Breath of Fresh Air
Zach Theatre's al fresco production is best at its most timeless
Richard Whittaker, Oct. 22, 2021
"We Know Who We Are. We Know What We Want."
In this inaugural exhibition at W&TW's new permanent home, nine artists provide an inquiry of breadth and depth
