In the Beginning
Do gynoids dream of inflatable sheep in this wild woman dum dum show?
91-120 of 3,204 entries
Wayne Alan Brenner, Feb. 9, 2023
The Filigree Theatre's Fire in Dreamland
This compelling drama ignites but doesn’t blaze
Bob Abelman, Feb. 9, 2023
Zach Theatre & Deaf Austin Theatre’s Rodgers + Hammerstein’s Cinderella
An innovative approach to a marvelous play
Bob Abelman, Feb. 5, 2023
Flood of Spirits
World premiere conjures up a haunting evening
Richard Whittaker, Feb. 3, 2023
Austin Opera’s Sweeney Todd: The Demon Barber of Fleet Street
Sharp Sondheim staging could benefit from some musical raggedness
Bob Abelman, Feb. 1, 2023
Jarrott Productions' The Sound Inside
An understated, intriguing page-turner
Bob Abelman, Jan. 19, 2023
Vortex Repertory Co.’s Ride the Wave
All foam, no fortitude in this surfer dude play
Bob Abelman, Jan. 18, 2023
Broadway in Austin’s Pretty Woman: The Musical
Imitation isn't always the sincerest form of flattery
Bob Abelman, Jan. 18, 2023
Street Corner Arts' The Gulf
Simple narrative hides its power in what it doesn't say
Shanon Weaver, Dec. 15, 2022
Dueling Dickens
Two gifts to Austin audiences as Zach Theatre and Penfold Theatre present their own versions of A Christmas Carol
Bob Abelman, Dec. 15, 2022
The Last Five Years
Inclusive production gives the time between love and loss a mighty voice
Bob Abelman, Dec. 8, 2022
Archive Theater's A Sherlock Holmes Christmas
Should you welcome this Holmes for the holidays with seasonal cheer?
Bob Abelman, Dec. 1, 2022
Austin Playhouse’s The (One-Act) Play That Goes Wrong
An evening of side-splitting schadenfreude
Bob Abelman, Nov. 23, 2022
Different Stages Theatre's Water by the Spoonful
A teaspoon of gravitas, tablespoon of heart is the perfect recipe for this Pulitzer winner
Bob Abelman, Nov. 23, 2022
Austin Shakespeare's Sense and Sensibility
Putting the pedal to the metal bolsters Jane Austen’s classic work
Bob Abelman, Nov. 17, 2022
Glass Half Full Theatre's Yamel Cucuy
Modern-day Mexican folktale rallies against things that go bump in the night
Bob Abelman, Oct. 27, 2022
Georgetown Palace Theatre's Cabaret
A risky and risqué staging opens the company’s season of stalwart productions
Bob Abelman, Oct. 20, 2022
Jarrott Productions' The Pact
This new, locally sourced play cleverly covers its dark comedy center with a thick sitcom coating
Bob Abelman, Oct. 13, 2022
Zach Theatre's The Elaborate Entrance of Chad Deity
Theatrical elements combine for a “perfect goddamn story”
Shanon Weaver, Oct. 6, 2022
Different Stages Theatre's Shining City
As with all Conor McPherson plays, the devil is in the details
Bob Abelman, Sept. 29, 2022
Broadway in Austin’s Hadestown
Headfirst, straight to a Hell of a good time
Bob Abelman, Sept. 22, 2022
Zach Theatre's The Inheritance, Part 2
Second installment of this audacious opus is too much of a good thing
Bob Abelman, Sept. 22, 2022
The City Theatre's The Fantasticks
Reverential and sharp production of the classic musical celebrates its subtleties
Bob Abelman, Sept. 8, 2022
Hope and Hard Truth: A Life in Texas Politics
Life beyond the governor’s office with Ann Richards’ chief aide
Michael King, Sept. 1, 2022
Zach Theatre's The Inheritance, Part 1
Epic in length and ambition, this portrait of gay life in the 21st century is stunning
Bob Abelman, Aug. 25, 2022
Ground Floor Theatre's Anna in the Tropics
Life imitates art in this tantalizing production of a Pulitzer-winning play
Bob Abelman, Aug. 18, 2022
The Stage Austin's Hedwig and the Angry Inch
An audacious but underwhelming walk on the wild side
Bob Abelman, Aug. 18, 2022
Austin Playhouse's Previews of Departing Attractions
Twenty years in the making, Lowell Bartholomee’s latest collection of short plays is worth the wait
Bob Abelman, Aug. 11, 2022
Disney’s Newsies
The Broadway strike musical occupies Zilker Hillside Theatre spectacularly
Bob Abelman, July 14, 2022
Zach Theatre’s The Sound of Music
New production of the Rodgers and Hammerstein classic tries to forget the Julie Andrews film, and finds new political relevance
Bob Abelman, June 30, 2022
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