SXSW Film Review: Azrael
The left behind navigate a supernatural horror
91-120 of 12,961 entries
Richard Whittaker, March 11, 2024
SXSW Film Review: Whatever It Takes
A cyberstalking whodunit with a corporate twist
Rod Machen, March 11, 2024
SXSW Film Review: Wakhri
Pakistani teacher turned star faces violent backlash
Jessi Cape, March 11, 2024
SXSW Film Review: Grand Theft Hamlet
“To be or not to be” in a virtual reality mid-pandemic? Fantastic.
Joe Gross, March 11, 2024
SXSW Film Review: Kryptic
Goopy creature feature is a muddled take on self-discovery
Alejandra Martinez, March 11, 2024
SXSW Film Review: Faders Up: The John Aielli Experience
Longtime host of Eklektikos, first-time documentary
Jessi Cape, March 11, 2024
SXSW Film Review: The Antisocial Network
Dispiriting doc probes “insurrection for the lulz”
Richard Whittaker, March 11, 2024
We're All Gonna Die
Sci-fi romance balances humor and grieving
Dex Wesley Parra, March 11, 2024
SXSW Film Review: How Music Got Free
Does what it says on the tin, to a point
Joe Gross, March 10, 2024
SXSW Film Review: Resynator
A daughter gets to know her late dad through his invention
Kimberley Jones, March 10, 2024
SXSW Film Review: Y2K
Stoner disaster-comedy banks on 90s nostalgia
Dex Wesley Parra, March 10, 2024
SXSW Film Review: Babes
We need more raunchy female friendship films like this
Jessi Cape, March 10, 2024
SXSW Film Review: The Black Sea
Charming experimental debut blends improv and travelogue
Katherine McNevins, March 10, 2024
SXSW Film Review: The In Between
Intimate doc captures life, loss on the U.S.-Mexico border
Alejandra Martinez, March 10, 2024
SXSW Film Review: Hunting Daze
Midnighter is an unpleasant nightmare of toxic masculinity
Matthew Monagle, March 10, 2024
SXSW Film Review: My Dead Friend Zoe
A veteran processes her grief in emotional dark comedy
Madeline Duncan, March 10, 2024
Bob Trevino Likes It
Barbie Ferreira shines in charming film about chosen family
Jenny Nulf, March 10, 2024
SXSW Film Review: We Can Be Heroes
Cheering doc about summer camp for the awkward and adventurous
Rod Machen, March 10, 2024
SXSW Film Review: We Strangers
Surreal psychodrama follows a grifting maid getting her due
Dex Wesley Parra, March 10, 2024
SXSW Film Review: The Queen of My Dreams
Moving family dramedy jumps between Pakistan and Canada
Kimberley Jones, March 9, 2024
SXSW Film Review: Swamp Dogg Gets His Pool Painted
An endearing portrait of the R&B/country/etc. musician
Joe Gross, March 9, 2024
SXSW Film Review: Cold Wallet
A well-cast thriller about crypto and its discontents
Joe Gross, March 9, 2024
SXSW Film Review: Mamifera
At 40, Lola navigates unexpected pregnancy and decisions
Jessi Cape, March 9, 2024
SXSW Film Review: Secret Mall Apartment
Profound documentary is more than just a strange story
Naina Srivastava, March 9, 2024
SXSW Film Review: Road House
Eighties classic gets a rock ’em, sock ’em remake
Richard Whittaker, March 9, 2024
SXSW Film Review: Oddity
A wickedly fun blend of melodrama and horror
Matthew Monagle, March 9, 2024
SXSW Film Review: Stormy
Doc explores life in the eye of Hurricane Trump
Katherine McNevins, March 9, 2024
SXSW Film Review: A House Is Not a Disco
Portrait of the Pines on Fire Island moves and shakes
Joe Gross, March 9, 2024
SXSW Film Review: We Were Dangerous
Reform-school girls break the rules
Marjorie Baumgarten, March 9, 2024
SXSW TV Review: 3 Body Problem
Acclaimed sci-fi story opens the fest’s TV portion
