Screens
Mouse Review: The Left Behind
The Ghostlight filmmakers return with another moving picture of loss and self-discovery
latest Reviews
Fatherland Review: The Good German
Paweł Pawlikowski closes his Cold War trilogy with an examination of art and identity
Club Kid Review: Coming Down and Growing Up
First-time filmmaker Jordan Firstman impresses in this tale of queer parenthood
I Play Rocky Review: Every Underdog Has Their Day
The story of how Sylvester Stallone went from bum to Oscar contender gets a heartwarming, true-ish retelling
Ebenezer Review: A Christmas Ghost Story Both Familiar and Unique
Johnny Depp and Ti West find the dour terror in Dickens’ greatest work
More Screens
If Texas’ Midterms Were Amazing, Mississippi’s Were a Miracle
Documentarian Paul Stekler reflects on the remarkable transformation of Southern politics
Austin Film Society Shifts Texas Film Awards to Fall
The starry fundraiser will also return to Austin Studios in 2027
How to Rob a Bank Review: TikTok Marxism
John C. Reilly and Nicholas Hoult play cops-and-robbers in this social media twist on the heist movie
Austin Film Festival Interview: Bassam Tariq on Collaboration, Authenticity, Faith, and Grace
The UT alum and Your Mother Your Mother Your Mother director discusses putting a multitude of Muslim experiences on screen
Austin Film Festival Review: Bleeding Hearts
The husband-and-wife duo behind Chaparelle lay out the honest truth about a creative marriage
La Bola Negra Review: Love Is a Battlefield
Spanish epic compresses a century of queer love and denied identity
Something went wrong. Please refresh the page and/or try again.