Fans of Rooster Teeth, Austin’s groundbreaking online studio, have been grieving since news broke it was shutting down. Now there’s a chance to say goodbye this May with the final story of the iconic machinima series, Red vs. Blue.

It’s been 18 extremely long months since the symphonically fucked up baby investment bankers of Industry have been on our airwaves. I bear good news: They’re back, and Austin’s getting first crack at ’em.

The biggest night in Texas film is about to honor one of its fastest rising talents. Glen Powell, native Austinite and star of the upcoming comedy drama Hit Man, is to be inducted into the Texas Film Hall of Fame on the night that his new film receives its Austin premiere.

Turns out the pandemic has really done a number on us.

It’s true to say that Julio Torres sparkles.

Unexpected themes can crop up at festivals. At this year's South by Southwest Film & TV Festival, there were two shorts that dealt with vets at the end of a pet's life.

It's a double win for Bob Trevino Likes It. Not only did Tracie Laymon's cringe-cute comedy win the Grand Jury Award for narrative feature at last week's South by Southwest Film & TV Festival, now it's walked away with the audience award.

There are a thousand versions of The Idea of You that would be a bad or at least uninteresting film: a sickly, bland, trope-laden rom-com about an older woman and a younger pop star. But none of those would have been directed by Michael Showalter.

We all have those moments when hearing a certain song instantly transports us back to a specific moment in time, when a sudden flash from our personal past overwhelms the present. In the romantic drama The Greatest Hits, however, this human quirk becomes pathological rather than pleasant.